Revisiting the 1st m²
          
          Since early 2009 I have been working on a project where I have been renting particular one square meter of
          land
          parcels across Europe.
          
          The parcels I have chosen to rent are one hundred kilometres a part from each other, and form a straight line
          between Amsterdam, the Netherlands and Ljubljana, Slovenia, passing through Germany and Austria.
          
          In order to rent the pre-chosen parcels I have been travelling to the areas in question to find the
          coincidental
          owners.
          
          With the owners of the land I have signed free of charge rental contracts that allow me only to mark the
          designated spots for a mutually agreed period of time.
          
          I see my long-term project, which will conclude with a presentation at the Sebastien Ricou Gallery, Brussels,
          Belgium, as basically working on two levels.
          
          On the one hand it exists as ‘a horizontal’ travel where I have been travelling from the west Schengen
          Agreement
          border to the east Schengen Agreement border through four European Union member states, each with their own
          real
          estate law, investigating the history and current socio-political situation of the path interrupting normal
          rhythm of lives of people owning the land.
          
          On the other hand my project exists as a ‘vertical’ travel where I have been travelling back home to
          Ljubljana,
          Slovenia from Amsterdam, the Netherlands, where I currently live, and along the way put myself in a patronized
          position with coincidental owners of the desired parcel.
          
          These two types of travel do not meet each other on the surface but within their structures (example:
          relationship towards the father and a relationship towards the governing institution).
          
          The primary motive of this project is a research in to how to position oneself geographically, politically,
          and
          emotionally through creating familiar relationships within the given circumstances of an odyssey. Trying to
          answer the question: “Under what circumstances have our paths collided and where are my traces leading
          me?”
          
          Ištvan Išt Huzjan
          Brussels, 2011
          
          In collaboration with
          
          Marktgemeindeamt Bad Bleiberg, Gemeindeamt Bruck a. d. Glocknerstraße, Gemeinde Tuntenhausen, Marktgemeinde
          Pöttmes, Bürgermeisteramt Rot am See, Marktgemeinde Großostheim, Gemeindevorstand der Gemeinde Waldbrunn /
          Westerwald, Stadt Solingen, Gemeinde Kranenburg, Ministrstvo za kulturo Republike Slovenije, Veleposlaništvo
          Republike Slovenije Berlin / Bruselj, Fonds BKVB, Rijksakademie van beeldende kunsten, Christophe Heymans /
          CUP,
          Marko Štucin, Janwillem Schrofer, Hermann Pitz, Giorgio Andreotta-Calò, Phillipe Van Wolputte, Tania Gönc,
          Alan
          Fertil, Grégoire Motte, Aukje Koks, Milojka Žalik-Huzjan, Zdenko Huzjan
        
 
           
           
           
           
           
           
          